| Gesetzlicher Name | GRUPO ERIK EDITORES S.L. |
| Adresse | CALLE SANTO DOMINGO 31, 18600 MOTRIL, SPAIN |
| [email protected] |
Discover one of the most iconic images in horror cinema with this large-format poster dedicated to *The Exorcist*. Published by Grupo Erik, this poster features the iconic image associated with William Friedkin’s film, showing the silhouette of Father Merrin arriving at the MacNeils’ house in the dead of night.
The poster is in a vertical format measuring approximately 61 × 91.5 cm, ideal for decorating a bedroom, an office, a home cinema or a room dedicated to horror films. Its large size really brings out the very dark composition of the image and its striking contrast of light and shadow.
Printed on 150 g/m² paper, the poster can be hung directly on the wall or placed in a suitable frame for a more durable display. Product code GPE5335 is sold unframed.
Technical specifications
Manufacturer: Grupo Erik
Range / Collection: Maxi Poster
Licence: The Exorcist
Genre: horror film
Film: The Exorcist
Type: poster / wall poster
Orientation: vertical / portrait
Material: paper
Grammage: 150 g/m²
Finish: glossy printed paper
Dimensions: approx. 61 × 91.5 cm
Frame: not included
Packaging: poster rolled and protected
EAN: 8435497230159
Origin and setting of the film
*L’Exorciste* (the French title for *The Exorcist*) is an American horror film directed by William Friedkin and released in 1973. The screenplay by William Peter Blatty is adapted from his own novel, published in 1971. The film stars Ellen Burstyn, Linda Blair, Jason Miller and Max von Sydow, amongst others.
The story is set mainly in Georgetown, Washington, where the young Regan MacNeil begins to display inexplicable behaviour. After medical investigations prove fruitless, her mother Chris turns to Father Damien Karras, who gradually begins to consider the possibility of demonic possession. Father Lankester Merrin is then called upon to perform the exorcism.
The poster accurately reproduces one of the most famous images associated with this part of the story: Father Merrin’s arrival at the MacNeils’ house. With its nocturnal setting and striking use of light and shadow, this image has become one of the most recognisable representations of *The Exorcist* and, more broadly, of 1970s horror cinema. The film remains a major work of the genre and received ten Oscar nominations upon its release.